AN ANALYSIS OF PLOT IN FILM THE THEORY OF EVERYTHING BY JAMES MARSH

Plot is one of the important elements contained in narrative literary works. Plots in literary works, films, stories, or other narratives are sequences of several events, and each of these events influences subsequent events. Now, the film is considered as a powerful communication medium for the masses that are being targeted, because of its audio-visual nature, that is, vivid images and sounds. With pictures and sound, movies can tell a lot in a short time. This study focuses on the analysis of how the plot is used in the film The Theory of Everything. Thus, the aim is to describe the plot in the film The Theory of Everything.This research used a descriptive qualitative method. First, the writer categorizes several fragments of a sentence, dialogue, and scene. Next, look for, analysis, and interpret it to obtain the plot structure in accordance with the theory. From the results of the analysis obtained the answer that the film is told in its entirety starting from exposition, rising action, climax, and falling action. And the film closes with a closed ending. So the film goes forward or progressive plot. The authors hope that the results of this study will benefit future researchers who are interested in the work of literature in the form of films, especially in the plot.


INTRODUCTION
states that literature is a human personal expression in the form of experiences, thoughts, feelings, ideas, enthusiasm, and belief in a form of concrete images that evoke enchantment with language tools. Literature can be classified as fiction and non-fiction. Novel, short story, drama (also known as film or movie), and tales are included in the fiction works. On the contrary, the nonfiction works are essays, history, autobiography, and diary. In this skripsi drama (also known as film or movie) is used as discussion material, where the drama itself belongs to literary works.
groups, especially Indonesian teenagers.
The film is considered able to accommodate the course of the story so that the film can explain in detail the whole of what happened to the story. The stories contained in the film also varied. There are stories of romance, social, religion, innuendo, economy, and others. At this time, a director mostly make stories in the film with the theme of love. Daily events that can be used as inspiration by a director.
Even self-experience can be an inspiration for a director. When a director makes his work, the director tries to make a story that is interesting and can bring up a picture of the story as if it were real that happened in the audience's imagination. The building elements of a narrative element in a film are usually the most important things in the work of a film, the most important elements usually include: 1) Story, a novel is adapted into a film, not all of the novel's contents (stories) appear in the film. In a novel, a bright morning atmosphere can be described so in detail to several hundred words, but in the film only presented in a single shot.
2) Plot, in general, the plot is a series of events in a story. Staton (2007:26) said that plot is a series of the event in a story. How a certain event affecting another event that cannot be ignored, since the event will be effecting for all story. How a certain event affecting another event that cannot be ignored, since the event will be effecting for all story. The plot is the sequence of events in a story from the beginning, middle, until the end. With plot, the audiences know how E-Link Journal Vol.8 No. 1 (2021) p-ISSN: 2085-1383e-ISSN: 2621-4156 to a drama storyline delivered. Aristoteles in Culler (2000:84) said that plot is the most basic feature or narrative, that good stories must have a beginning, middle, and end, and that they give pleasure because of the rhythm of their ordering. According to Bordwell and Thompson (2008:76), that plot is used to describe everything visibly and audibly present in the film before us.
The plot includes, first, all the story events that are directly depicted.
Freytag in Griffith (1982:26)  Here, Russell (2009:2-3) describes four types of plot structure based on the timeline of a story, they are: a) dramatic or progressive plot is a chronological structure which first establishes the setting and conflict, then the follows the rising action through to a climax, and concludes with a denouement ( a wrapping up of loose ends). b) An episodic plot is also a chronological structure, but it consists of a series of E-Link Journal Vol. 8 No. 1 (2021)  Another structure plot is based on the way it ends the story given by Nurgiyantoro (2010:147-148). The end story can be categorized into two groups: a) Open ending is a feature in the end situation of a story that is honestly not finished yet. 7) Theme, the theme is the basis of the story or general idea of a literary work (Nurgiyantoro, 2009: 70). Nurgiyantoro, (2009: 70) explains that the theme can also be called the main idea or main goal.

RESULT AND DISCUSSION
The plot used in The Theory of Everything film can be described into three types. (Story line, ending, and timeline)

Storyline
In most drama and film, there is a storyline of how the author of the film tells the story to audiences the sequence of events through plot. In this film, the writer E-Link Journal Vol. Stephen becomes closed and focused on his work, Jane claims that she loves Stephen.
Stephen told Jane that the rest of his life was two years and he wanted to focus on his research, he also had revolted and expelled Jane to leave him. Jane continues to force and convince Stephen that he truly loves Stephen and will get through this together.
Then Jane comes to see Frank. He tells Stephen's father, Frank Hawking, that he intends to stay with Stephen even when his condition worsens. Jane convinces Stephen's dad that he can handle this. That's because Jane loves Stephen and Stephen loves Jane. Stephen's father agreed to Jane and finally, they were married and blessed with a son.

Climax
The climax is the turning point in Jonathan befriends all members of his family, helps Stephen about his illness, supports Jane, and plays with their children.
Jonathan is very close to their family. And when Jane gave birth to her third child, Stephen's mother, Isobel, asked Jane if the child was the result of Jonathan and Jane denied it. Jane sees that Jonathan heard the conversation and is surprised, but when they are alone, they confess their feelings to each other. Jonathan stayed away from family, but Stephen visited him, saying that, Jane needed him.
Not stopping here, turning points reaches to the top when Jane and Jonathan take their children to camp, the doctors tell Jane that Stephen has pneumonia and put him into a coma. As evidence in the following dialogue 2 data 2.3 here:  -Link Journal Vol.8 No. 1 (2021) p-ISSN: 2085-1383e-ISSN: 2621-4156 internationally. Then Stephen told Jane that he had been invited to America to receive an award and would take Elaine with him.
Jane realizes that her marriage and Stephen are unsuccessful and tells her that she is "doing her best". Jane and Stephen agree to divorce.
Stephen goes to campus with Elaine, the two fall in love, then Jane and Jonathan reunite. While on campus, Stephen saw a student drop his questioner; he imagined that he could rise to return it.
He almost cried remembering how his illness had affected him. But he realized that there were no limits to human effort.
All humans are different, and bad life might exist, but there is always something that can be done, and it works there.

Closed Ending
The story ends with Stephen, who has conquered physics and received the highest honor any English person can achieve. He also had the opportunity to meet with Queen Elizabeth II. He also reunites with Jane. He invited Jane and her three children to meet in the palace. As seen in the dialogue in data 2.1 here: Stephen invites Jane to meet with Queen Elizabeth II. They share a happy day with their children.

A Dramatic or Progressive Plot
A dramatic progressive plot is a chronological structure that first establishes the setting and conflict, then follows the rising action through to the climax, and concludes with a denouement. And in this story, the author's film used a dramatic or progressive type plot. As seen in the E-Link Journal Vol. 8 No. 1 (2021) p-ISSN: 2085-1383e-ISSN: 2621-4156 An Analysis of Plot in Film the Theory of Everything by James Marsh 73 appearance scene, this film shows the introduction of the main character and setting. Then, a rising action appears and a climax occurs. Falling action comes to reduce climax, and the film ends with a resolution. It can be seen that this film is used in a dramatic or progressive plot.

FINDINGS AND DISCUSSION
The plot structure that can be found in this film is exposition, rising action, climax, falling action, and resolution. It is in line with the plot diagram given by Freytag used by the writer to analyze this film. And to the end of the film, the writer used plot structure theory given by Nurgiyantoro.
Also, this film used another plot structure theory by Russell, that is, a dramatic or progressive plot. Findings will be presented in data an excerpt of dialogues.
The exposition can be found in data 1 included in data 1. And, in the last scene Stephen meets Jane and shares a happy day with his children. So, it can be concluded that the way to end this film is closed ending. A dramatic or progressive plot is a chronological structure which first establishes the setting and conflict, then follows the rising action through to a climax. And in this story the author's film used a dramatic or progressive type plot. As seen in the appearance scene, this film shows the introduction of the main character and setting. Then, a rising action appears and a climax occurs. Falling action comes to reduce climax, and the film ends with a resolution. It can be seen that this film is used in a dramatic or progressive plot.

CONCLUSION
The plot used in The Theory of Everything film can be described into three types. First is storyline, for the way it tells the story the writer found four stages act.
Those four stages acts are exposition, rising action/complication, climax, and falling action. Second is end story, to close this film the writer found closed ending. Third is timeline, the writer found a dramatic or progressive plot in this film.